Mastering For Vinyl Rms

Bit rate headroom e compression 3.

Mastering for vinyl rms.

Mastering for vinyl is the process of creating a separate master that can be cut into a vinyl record without added unwanted distortion. Sampling rate frequency range 4. The optimal level for a vinyl cut depends on the rms or vu level and on the running time and speed 33 or 45 rpm whereas on a cd the only absolute technical restriction is the peak level. And the great british recording studios which includes a foreword.

For vinyl the optimum source is 24 bit dynamic and limited either extremely lightly or not at all. We recommend a level of 10 to 12 db rms and. Howard massey is a producer engineer musician technical writer and consultant to the pro audio industry through his company on the right wavelength he is author of over a dozen books including behind the glass vols i and ii collections of interviews with the world s leading engineers and producers. The sequencing difference is that delivery from mastering for digital is either individual wav files for download or a single ddpi file for cd replication whereas for vinyl the delivery is generally two wav files one for each side of the record.

In this article we are going to explain these two basics of mastering. Today i m going to show you what they are and how we can use them. It consists of a mono stereo image up to 150hz a tamed high end and if needed a track listing that is consistent with the frequency limitations of record cutting. Stereo fields frequencies levels 6.

Stimated side lengths volume level 7. When mastering a track it is crucial to understand the difference between rms and peak levels. First of all the quality sound of your vinyl depends on the mastering so please follow these rules as explained below. When submitting your music for vinyl production it is very important that it has been mastered for the vinyl medium.

In summation i d say there are several things you need to check for vinyl mastering and there is a subtle optional layer of tweaking that. Due to the physical nature of the cutting and playback process there are a number of considerations and limitations that must be addressed in mastering.