Mastering For Vinyl Specs

This can be confusing since requirements differ from service to service so i wanted to create a simple table containing all presets that are included in the youlean loudness meter so you can easily find out what you need to do.

Mastering for vinyl specs.

It consists of a mono stereo image up to 150hz a tamed high end and if needed a track listing that is consistent with the frequency limitations of record cutting. The lp is an analog sound storage medium a phonograph record format characterized by a speed of 33 1 3 rpm a 12 or 10 inch diameter and use of the microgroove groove specification. 12 minutes per side 12 at 33 rpm. 24 bits 16 bits works too 32 bits is overkill.

Apart from a few relatively minor refinements and the important later addition of stereophonic sound it remained the standard format for record albums until its gradual replacement from the 1980s to the. Introduced by columbia in 1948 it was soon adopted as a new standard by the entire record industry. Wav aiff flac lossless or ddp image. Our machines match the riaa guidelines for vinyl recording which means that we can reach the maximum recording time for each vinyl format.

5 minutes per side 7 at 33 rpm. Standard reference level or 0db. Mastering for vinyl is the process of creating a separate master that can be cut into a vinyl record without added unwanted distortion. However thoughtfulness and nuance are key.

Some vinyl manufacturers may request that your audio masters be sent on an audio cd r. 7 at 45 rpm. 6 minutes per side 10 at 45 rpm. Mastering for vinyl to get the best results with your records you need to read the following before preparing your master source.

Following these instructions will ensure that you are satisfied with the final product read more. Most records are cut at the following levels. All mastering rooms calibrate their equipment to this level through test equipment and test recordings. Vinyl has notable characteristics that cutting and mastering engineers need to be aware of when mastering for the format.

The sequencing difference is that delivery from mastering for digital is either individual wav files for download or a single ddpi file for cd replication whereas for vinyl the delivery is generally two wav files one for each side of the record. The riaa and nab have set forth specific physical groove vibrations to be determined as standard reference level. One such nuance is the relation between level and length of time. Mastering for vinyl quick answer.

All jokes aside mastering audio these days needs to touch the loudness standards. All presets are actually based on the itu r bs 1770 algorithm some with a slight. Ideally your vinyl pre master is one 24 bit or 32 bit floating point wav file for each side of the record at the native sample rate of your mastering session. 22 minutes per side.

12 or 10 33 rpm. The strategies below have all been time tested and are even more useful for today s diverse selection of music. 17 minutes per side 12 at 45 rpm.